Carpa 1888 is now available for download. As I mentioned in other posts, this issue concludes Amparo's story for now. Outside of the regular series, I still have a few specials to write, which I'm currently working on.
Intro:
Fortunately, in preparing this latest issue of Carpa, we enjoyed the extra time we didn't have while preparing the previous editions. From the beginning, we thought we should offer our readers all the artistic material by Amparo and her companions, or that was directly related to them, that had remained unpublished, although, at the outset, we weren't clear on its final structure. To dispel this artistic confusion, we decided to change our usual structure, as our readers would later discover.
All the additional time gained, unfortunately caused by the failed trip to the Aguas Calientes Desert, was dedicated to furthering our research into all the documents related to the reign of Taciana VI and the invasion war that remained on our planet. It was a great help to be able to connect Petia to the secondary networks while the rest of us, with the help of the mandate's intelligence, sifted through our empire's planetary archives once again. The results of these parallel investigations are well known, as they were announced by all sections of the various cultural mandates, but I can announce that we have reserved some previously unpublished material that will be published for the first time in this issue of Carpa. Since this is such a special issue, we have decided to organize this material chronologically. A chronology that will begin in the city of Liuba and the romance and wedding of Amparo's mothers and will conclude with a special section featuring the best photographer of the cursed empire. This change in the volume's layout was decided at the last minute, and we believe the best way to honor our Amparo is by portraying her through perhaps the greatest photographer of her time. The novelty, in this case, lies in the fact that we have opened the edition to our work as photographers and will follow, in an imaginary way, Amparo's journey through the city of Liuba with our photographs. We organized these photo sessions as a sort of artistic lottery, in which we all willingly participated in an attempt to imbue this farewell with our own tribute to our Amparo. A photograph was selected to open each section. Even Julia and Petia participated in this lottery, and the latter was in charge of selecting a photograph to open this first section, briefly dedicated to the lives of the mothers and the city of Liuba before the birth of the future photographer and artist. Some of us decided to briefly comment on these photographs, but some decided not to. To identify these images, Petia decided to add two letters of our names along with a period and pale colors when they were not included in an introductory page.
It is impossible to travel back to the city of Liuba at that time, as it was completely razed by the criminal bombing of the enemy air force, ordered by the most insane of its commanders. Therefore, Petia B5N based his work on the city's preserved data and generated the image that opens this section, about which he declined to provide further explanation. As often happens, he prefers to let the publication's readers reflect and, why not, wander about the childlike figure walking among the signal towers of the ancient metropolis, beneath the eternal smile of the two sisters.


One comment

Jose Carlos Soto May 19, 2025, 02:37 PM
1sTaRtUrLhttps://www.mediafire.com/file/knunmyjx8iwaahd/Carpa_1888.pdf/file
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