https://www.23hq.com/lozaediciones/order/views Jose Carlos Soto en-us 23people http://www.23hq.com/resources/um-style/logo-20.gif http://blogs.law.harvard.edu/tech/rss https://www.23hq.com/rss/lozaediciones/order/views https://www.23hq.com/rss/lozaediciones/order/views?page=2 true https://www.23hq.com/lozaediciones/photo/152288492 <p><a href="https://www.23hq.com/lozaediciones/photo/152288492"><img src="https://www.23hq.com/67659439/152288492_1452b152775e040b5a7af34523780131_standard.jpg" width="354" height="460" class="23-standard"/></a></p><p>Carpa 1888 is now available for download. As I mentioned in other posts, this issue concludes Amparo's story for now. Outside of the regular series, I still have a few specials to write, which I'm currently working on.<br /> Intro:<br /> Fortunately, in preparing this latest issue of Carpa, we enjoyed the extra time we didn't have while preparing the previous editions. From the beginning, we thought we should offer our readers all the artistic material by Amparo and her companions, or that was directly related to them, that had remained unpublished, although, at the outset, we weren't clear on its final structure. To dispel this artistic confusion, we decided to change our usual structure, as our readers would later discover.<br /> All the additional time gained, unfortunately caused by the failed trip to the Aguas Calientes Desert, was dedicated to furthering our research into all the documents related to the reign of Taciana VI and the invasion war that remained on our planet. It was a great help to be able to connect Petia to the secondary networks while the rest of us, with the help of the mandate's intelligence, sifted through our empire's planetary archives once again. The results of these parallel investigations are well known, as they were announced by all sections of the various cultural mandates, but I can announce that we have reserved some previously unpublished material that will be published for the first time in this issue of Carpa. Since this is such a special issue, we have decided to organize this material chronologically. A chronology that will begin in the city of Liuba and the romance and wedding of Amparo's mothers and will conclude with a special section featuring the best photographer of the cursed empire. This change in the volume's layout was decided at the last minute, and we believe the best way to honor our Amparo is by portraying her through perhaps the greatest photographer of her time. The novelty, in this case, lies in the fact that we have opened the edition to our work as photographers and will follow, in an imaginary way, Amparo's journey through the city of Liuba with our photographs. We organized these photo sessions as a sort of artistic lottery, in which we all willingly participated in an attempt to imbue this farewell with our own tribute to our Amparo. A photograph was selected to open each section. Even Julia and Petia participated in this lottery, and the latter was in charge of selecting a photograph to open this first section, briefly dedicated to the lives of the mothers and the city of Liuba before the birth of the future photographer and artist. Some of us decided to briefly comment on these photographs, but some decided not to. To identify these images, Petia decided to add two letters of our names along with a period and pale colors when they were not included in an introductory page.<br /> It is impossible to travel back to the city of Liuba at that time, as it was completely razed by the criminal bombing of the enemy air force, ordered by the most insane of its commanders. Therefore, Petia B5N based his work on the city's preserved data and generated the image that opens this section, about which he declined to provide further explanation. As often happens, he prefers to let the publication's readers reflect and, why not, wander about the childlike figure walking among the signal towers of the ancient metropolis, beneath the eternal smile of the two sisters.</p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/152288492 Mon, 19 May 2025 14:36:09 GMT https://www.23hq.com/lozaediciones/photo/4178529 <p><a href="https://www.23hq.com/lozaediciones/photo/4178529"><img src="https://www.23hq.com/3364499/4178529_84f2a3849319958ed2e84e4910bdfc4d_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p>modern architecture</p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/4178529 Sun, 12 Apr 2009 11:33:52 GMT https://www.23hq.com/lozaediciones/photo/142590011 <p><a href="https://www.23hq.com/lozaediciones/photo/142590011"><img src="https://www.23hq.com/67659474/142590011_58cadf6ced41095a8507be2642e0f39b_standard.jpg" width="353" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/142590011 Mon, 10 Jun 2024 14:15:59 GMT https://www.23hq.com/lozaediciones/photo/133447170 <p><a href="https://www.23hq.com/lozaediciones/photo/133447170"><img src="https://www.23hq.com/67659407/133447170_ccce6cffd6bd96f3d008c76ae9976d3f_standard.jpg" width="353" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/133447170 Tue, 09 Jan 2024 14:58:53 GMT https://www.23hq.com/lozaediciones/photo/4982839 <p><a href="https://www.23hq.com/lozaediciones/photo/4982839"><img src="https://www.23hq.com/4937301/4982839_d78e3bc40c0690d6efd0626c353eda4f_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/4982839 Tue, 29 Sep 2009 08:46:12 GMT https://www.23hq.com/lozaediciones/photo/100792128 <p><a href="https://www.23hq.com/lozaediciones/photo/100792128"><img src="https://www.23hq.com/67659439/100792128_849cd8c821a4a886e1e632bb3d2d43bd_standard.jpg" width="352" height="460" class="23-standard"/></a></p><p>Each of Jose Carlos Soto's images includes its own tension. Many times there is talk of mathematical purity in its composition, physical and spiritual purity built down to the smallest detail so that later it disappears in the eyes of the beholder. This, feigned tension?, between what is built and what is real encourages the viewer to compare the image presented with their own sensations before the urban landscape and the reality that surrounds them. When we become aware of this new presence, we witness a chain of analytical thoughts that surprisingly appear before our eyes, reflected in the mirror of our sad reality.<br /> Curiously, when contemplating Soto's work dedicated to architecture and the urban landscape, the little importance, at first glance, given to the construction itself is striking. It seems rather that these images of the buildings that transform their city - Barcelona at the turn of the century - speak to us and proclaim the isolation, loneliness and lack of communication that little by little invades the lives of Barcelona citizens - entire buildings or neighborhoods disappear to be replaced by beautiful examples of modern architecture-, but nothing really changes: negligence, tedium and banality reappear to make up reality.<br /> A metaphorical presence of astonishing formal beauty, an act of conceptual transvestism that bounces and reverberates in our brain in a silent, tireless and distressing way.<br /> https://www.mediafire.com/file/bfhnfojujlnel6n/Carpa_14.pdf/file</p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/100792128 Mon, 14 Mar 2022 09:50:34 GMT https://www.23hq.com/lozaediciones/photo/5046975 <p><a href="https://www.23hq.com/lozaediciones/photo/5046975"><img src="https://www.23hq.com/4937299/5046975_4bb71c62def0068929ae570c612b6b35_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5046975 Tue, 27 Oct 2009 17:11:05 GMT https://www.23hq.com/lozaediciones/photo/5448554 <p><a href="https://www.23hq.com/lozaediciones/photo/5448554"><img src="https://www.23hq.com/4937314/5448554_ea3f4c771521b36cceee692fcb3c2666_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5448554 Tue, 16 Mar 2010 16:12:54 GMT https://www.23hq.com/lozaediciones/photo/5046972 <p><a href="https://www.23hq.com/lozaediciones/photo/5046972"><img src="https://www.23hq.com/4937304/5046972_153528288bf0aa25fd813e8552d54320_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5046972 Tue, 27 Oct 2009 17:10:45 GMT https://www.23hq.com/lozaediciones/photo/5322940 <p><a href="https://www.23hq.com/lozaediciones/photo/5322940"><img src="https://www.23hq.com/4937332/5322940_01108fc79ede4950e98e014126faa81f_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5322940 Sun, 24 Jan 2010 20:16:03 GMT https://www.23hq.com/lozaediciones/photo/99483719 <p><a href="https://www.23hq.com/lozaediciones/photo/99483719"><img src="https://www.23hq.com/67659439/99483719_6ebb9fb383e577e11c8f65fc4b4826d0_standard.jpg" width="460" height="345" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/99483719 Tue, 15 Feb 2022 10:43:05 GMT https://www.23hq.com/lozaediciones/photo/101730822 <p><a href="https://www.23hq.com/lozaediciones/photo/101730822"><img src="https://www.23hq.com/67659475/101730822_95291a8b0a6a67ccf169fae55cb05b2b_standard.jpg" width="351" height="460" class="23-standard"/></a></p><p>From the outset, Soto, accepting our proposal to dedicate a second volume to his series of interior photographs, those nocturnal ones that he took for several years in his most intimate circle in an almost indefatigable manner, did not want to limit himself to making a secondary selection of the material that had been left pending in their pre-selection folders. He asked, first of all, for a couple of weeks to finish his work in Carpa 3098 and thus, patiently review the rest of his photographic archive because, as he told us, a lot of usable material had been forgotten in his externals. Weeks ago and due to the alarm caused by the deterioration of some supports, he made the dumps with excessive haste and many images had been archived randomly.<br /> He did not demand too many changes with respect to the previous issue, he asked that the introductions be eliminated or, better said, that they be renewed and that no annexes be included. He considered that it would not make much sense to pluck and recolor before feathering again (another of those picturesque expressions of the author that are apparently contradictory but visually impressive and that amuse us so much in our writing). That if, just in case, I request that the layout not be closed until the last minute because as, all our readers know, the author is prone to get carried away by his intuitions and once started with the uploads you never know where it will lead the choral dialogue that is established from that moment.<br /> Although the author wants to give this project total independence from the previous one, he knows that the closed theme of this series prevents certain changes. In these snapshots, we will meet again with the protagonists of 1812, the same places and situations lovingly dissected by the author will appear again in brilliant black and white. Some colorful brushstrokes will accompany us, but the poetic magazine after 12 years will continue to move us as if we were contemplating, for the first time, his photographs.<br /> Link:<br /> https://www.mediafire.com/file/b3os81jevc8r08g/Carpa1943.pdf/file</p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/101730822 Wed, 30 Mar 2022 13:45:47 GMT https://www.23hq.com/lozaediciones/photo/5103782 <p><a href="https://www.23hq.com/lozaediciones/photo/5103782"><img src="https://www.23hq.com/4937297/5103782_a76fa1c58d086fc1574e2f38f6cffb0a_standard.jpg" width="429" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5103782 Sun, 15 Nov 2009 13:53:30 GMT https://www.23hq.com/lozaediciones/photo/5606276 <p><a href="https://www.23hq.com/lozaediciones/photo/5606276"><img src="https://www.23hq.com/5473657/5606276_f25744d1f07ba43c581c2b7566510c4c_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5606276 Mon, 10 May 2010 16:09:30 GMT https://www.23hq.com/lozaediciones/photo/5431070 <p><a href="https://www.23hq.com/lozaediciones/photo/5431070"><img src="https://www.23hq.com/4937376/5431070_7dd027af51082c068cffbf3922a2b4b1_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5431070 Tue, 09 Mar 2010 15:36:09 GMT https://www.23hq.com/lozaediciones/photo/5835836 <p><a href="https://www.23hq.com/lozaediciones/photo/5835836"><img src="https://www.23hq.com/5473651/5835836_72ea8735df24025c1a20e47506a3d45d_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5835836 Fri, 30 Jul 2010 16:57:48 GMT https://www.23hq.com/lozaediciones/photo/154798864 <p><a href="https://www.23hq.com/lozaediciones/photo/154798864"><img src="https://www.23hq.com/67659407/154798864_e7123a57763e714c3b4a5f16e5eb41b3_standard.jpg" width="354" height="460" class="23-standard"/></a></p><p>In reality, this introduction could be considered superfluous in this volume. What was written in our Carpa 1888, in those final days of the series, remains valid, but our readers have already verified that it was not its conclusion, and since then, Carpa 708, the definitive end of the 1800s, has been published, although I am not so sure of the validity of our assertion. Doña Carmen's artistic work is an inexhaustible source for countless theses and artistic works, and the study of the material deposited in the trunk may still uncover one of the marvelous surprises that the artist concealed within her chaotic disarray, from which she once again demands our attention.</p> <p>As mentioned in those pages, this will be the first monograph dedicated to the figure of "Nene" outside of the most academic circles, and dedicated to disseminating, among the general public, the fascinating photographic work of the photographer of Carmencita and her depraved court. An artist seduced by the force of evil, who journeyed from decidedly non-poetic and avant-garde positions to surrender herself without reservation to the most perverse darkness, which, as never before, threatened this planet, as we presented in that short final section of “1888.” When we submitted it, we weren't entirely sure if our request to develop this volume would be granted. Feedback from our readers had been very positive, and only the rigidity—more like ostracism than censorship—of our governing bodies against this culture made us hesitate, at first, to submit our request. Surprisingly, the response arrived sooner than usual, accepting our project without revisions and even including favorable comments from the Crown, the government, and our parliament. As stated in the response, our institutions had long considered rescuing from oblivion the figures of art, thought, and science of the ancient, cursed kingdom and finally granting them the recognition they deserved for their contribution to the development of the planet. The time had come to erase the cursed darkness of their agonizing end and restore their importance in the course of our history. By the time this issue of Carpa is published, many of the editorial teams from the various administrations will have already edited and presented similar publications dedicated to other cultural figures from that kingdom.</p> <p>Initially, before receiving the explicit authorization from our administration, we designed an edition based almost word for word on the structure of that publication, with the aim of strengthening our request and having a functional format already approved by our readers. After the affirmative response, I convened a meeting of the entire editorial team on our terrace to discuss the possibility of creating a new project to present the work of "Nene" that would avoid what had already been presented in that previous Carpa. The content would be transferred to the servers attached to this Carpa 1388 and could easily be accessed by our readers. Leaving aside the fact that my editors usually consider these meetings a party—"The terrace was a party" is their motto—the evening was extremely productive, and as Petia proclaimed to close it: "From this moment on, we'll be filming in color, and it will be necessary to build a wonderful musical set," all this before joining Sagrario to perform a drunken version of "Volveré de entre la muerta esperanza" by Vilma Guas.</p> <p>From that meeting emerged this issue of Carpa, eminently visual and geared towards presenting the photographer's work from a rigorously academic and objective point of view, avoiding at all times moral judgments about her and concentrating on that powerful artistic—not poetic—work that decisively influenced the artists who emerged after the end of the war and aristocratic oppression. From the previous issue, we have only included the advertising breaks, the selection of which, as on that occasion, will be handled by Petia. Although we will maintain a biographical overview from her early days to her death during the fighting for the Fisherwomen's Bridge, we will attempt to maintain a completely new approach for this monograph. In that previous issue, it was inevitable to note or compare the similarities between her work and that of Doña Carmen, but now, outside the 1800 series, we will avoid these comparisons and focus solely on "Nene" and her world.</p> <p>Our readers will already know about the official addition of Tini A6RN and Basilia Villalobos to this editorial team, and how we are currently negotiating the arrival of Luisa, the one who brings joy, to this team permanently as well. Tini and Basilia have been in charge of selecting the photographs taken for the sewing workshops and commenting on these campaigns and photographs. Luisa, for her part, and through the archives of the royal household, has been essential in identifying the protagonists of these images and unraveling, for all of us and our readers, the intricacies of the ruling aristocracy during "Nene's" lifetime and the strange customs prevalent in its rigid class society.<br /> For the rest of the editorial team, we have focused on studying all the material deposited by the three governesses during our terms, and, as always, Paquita and Dorita are handling the design of this new volume of Carpa. I must admit that this editing process has been a most rewarding experience. On the one hand, we will present the work of a great artist who, despite all the harm inflicted by her fellow human beings, does not deserve to be forgotten. On the other hand, this editorial team has advanced its understanding of that society—the most cultured and advanced on the planet at that time—which was capable of committing all sorts of atrocities in a remarkably short period of time in our chronological order.</p> <p style="margin-bottom: 0px;">Since its fall, countless studies have attempted to understand the causes and motives of that global transformation. What these analyses have failed to unravel over all these years is not the objective of this publication, but rather to further the analysis of a society capable of producing artists like the protagonist of our special issue.<br /> I must now conclude this brief introduction; my moment has arrived to shine and amaze the entire editorial team, and my Consuelo in particular, with my interpretation of "I Will Pretend I Am Your Slave" by the incomparable Rocío Peña, to welcome the new editors and this latest issue of Carpa.</p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/154798864 Thu, 18 Dec 2025 15:31:12 GMT https://www.23hq.com/lozaediciones/photo/99166523 <p><a href="https://www.23hq.com/lozaediciones/photo/99166523"><img src="https://www.23hq.com/67659474/99166523_27db4931ad51d68630f1a3a516109fff_standard.jpg" width="460" height="345" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/99166523 Tue, 08 Feb 2022 09:37:27 GMT https://www.23hq.com/lozaediciones/photo/119546754 <p><a href="https://www.23hq.com/lozaediciones/photo/119546754"><img src="https://www.23hq.com/67659474/119546754_3f12a143d4078bb86c738623f58d19f0_standard.jpg" width="353" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/119546754 Wed, 12 Apr 2023 09:04:44 GMT https://www.23hq.com/lozaediciones/photo/5606284 <p><a href="https://www.23hq.com/lozaediciones/photo/5606284"><img src="https://www.23hq.com/5473651/5606284_e7ed6fe372cba26f048c75b7fc72bf7d_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/5606284 Mon, 10 May 2010 16:11:22 GMT https://www.23hq.com/lozaediciones/photo/100372940 <p><a href="https://www.23hq.com/lozaediciones/photo/100372940"><img src="https://www.23hq.com/67659439/100372940_3ba81b4cd5ad4155d19f775c1d217948_standard.jpg" width="339" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/100372940 Sat, 05 Mar 2022 21:59:16 GMT https://www.23hq.com/lozaediciones/photo/3978721 <p><a href="https://www.23hq.com/lozaediciones/photo/3978721"><img src="https://www.23hq.com/3364500/3978721_50c3f75533de24121176e2a6fa1b08ad_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/3978721 Wed, 25 Feb 2009 14:59:22 GMT https://www.23hq.com/lozaediciones/photo/3950353 <p><a href="https://www.23hq.com/lozaediciones/photo/3950353"><img src="https://www.23hq.com/3364497/3950353_547e2788ea0ea0a187eab639f8362466_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/3950353 Thu, 19 Feb 2009 15:17:55 GMT https://www.23hq.com/lozaediciones/photo/156044529 <p><a href="https://www.23hq.com/lozaediciones/photo/156044529"><img src="https://www.23hq.com/67659407/156044529_c020aa8aad08176f6655029b55e54a0e_standard.jpg" width="351" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/156044529 Tue, 30 Jun 2026 10:47:13 GMT https://www.23hq.com/lozaediciones/photo/99088203 <p><a href="https://www.23hq.com/lozaediciones/photo/99088203"><img src="https://www.23hq.com/67659474/99088203_e8d90af7e68346a9c0aaf990a438d13c_standard.jpg" width="345" height="460" class="23-standard"/></a></p><p></p><p>Photo by <a href="https://www.23hq.com/lozaediciones/">Jose Carlos Soto</a></p> https://www.23hq.com/lozaediciones/photo/99088203 Sun, 06 Feb 2022 12:18:17 GMT