Jose Carlos Soto

I have already commented in other posts that the objective of these reviews of the first numbers of the story of Amparo and her companions is to capture the story as she had originally conceived it. Although it has been a purely aesthetic review, I have ordered some texts to consolidate the references from this number.

Throughout this and next year, I hope to review the missing numbers and then resume work on Carpa 1408.
Intro to Carpa 1808:
With the arrival of the festivities commemorating the victory over the "Beast" during our first global war, I sent one of our interns to the headquarters of the 88th motorized infantry regiment, currently converted into a great museum of homage to its decisive participation in the conflict. He had the authorization to investigate his physical archives for 24 hours (practically all his documentary collection was digitized, but some elements must still be consulted in their original format) to prepare the great report that the falls deserved 400 years ago for the freedom of our town and its expansion throughout the galaxy.
In one of the security rooms he discovered, inside an old navy travel cabinet, a large folder that under the title of "Six" contained the surprising photographic chronicle of said campaign and that inexplicably had remained hidden since the end. from the war.
The curators of the archives reported that said furniture and folder had been deposited in the security camera by the author of the photographs herself as a tribute to her companions from the thirteenth company of which she was one of the few survivors of the final attack on the lair. of the "Beast". Over time, she was being relegated to oblivion and no one had consulted her since then. Being made by a simple descendant of a class "B" family, she was not granted any importance and was only admitted out of respect for a veteran of the campaign and the last battle. The author herself disappeared after her license and only her name and the little information that is preserved in the military archives have remained.
I didn't have to think anymore, she already had the perfect article for our special issue, Amparo Lopez and her photographs would speak on behalf of all the forgotten ones to the new generations.
I have tried to respect as much as possible the original format of the folder, I have only adapted the content to the layout and the new means of editing nowadays.