Jose Carlos Soto

In theory, I thought I wouldn't upload Carpa 18 for download until Friday, but this morning, almost without realizing it, I finished the corrections and by lunchtime it was already uploaded to my Mediafire account.
Yesterday I already commented on some of the novelties of the edition, but it is better that Analia herself, from the intro of this 18, announce the same:
During those days of vacation, as I mentioned, all the problems were resolved and the rhythm of the publication of all the planned revisions was definitively defined. For the third week of August this issue of Carpa 18 will appear, if all goes well, even before its publication, work will begin on Carpa 888 and we expect it to be ready before September arrives, at that time, we will decide if work begins on the numbers of "Seto" referring to Tinita and Valeria.
The return to work in our editorial mandate enjoys its own rhythm. The authority, before officially opening the season, likes to convene all levels to keep informed of developments during the holidays and hear, directly, from their directors, their work plans and distribute among them the orders, requests in language official, issued by the various cultural authorities. In short, before we can start work on our new editions, we will have a certain time margin that will be consumed, officially, in various protocols and bureaucracies and we will try to take advantage of it in our own interest.
In case we could take advantage of those, almost, two weeks, for the reissues of "Seto", I begged my three editors, Soto, maintains his category of author, but, as our readers already know, since I direct this editorial step, all new Joining this newsroom must assume the same duties and obligations as their colleagues, who will study the selected specimens and prepare everything to start the revisions and, if not, leave everything ready for the first winter break.
Despite the brevity of this Carpa, Soto decided to work on its entire photographic and textual structure. As he wrote in previous paragraphs, after the conclusion and delivery of his work, he regretted the final result. None of this he confessed to his then publishers, and his disappointment went unnoticed by his many readers. Although he attributes it to the high erotic charge of Valeria's fictional work, I do not agree at all, I agree with him, that this issue, despite its success, is frankly improvable, but not because of what the author thinks. At that time, Soto was a bit of a victim of his overflowing creativity and that is noticeable in that original edition, the images follow each other without control and end up distracting the reader from the narrative plot, although their quality masks these shortcomings. yes, the synthesis work of our friend in this revision has become necessary.
Paquita took control and knew how to give the necessary discipline to the edition and Dorita did a fantastic graphic work based on a series of poems that Soto had prepared for some later issues of Seto and the work, naturally, fictitious, of Valeria and included some anatomical projects in 3d that they were going to represent, in the farewell number for Tinita and Valeria, the new work with which they would amaze the readers of that imagined Japanese publication and would stop time around them.
My intention, now, is to start work on Carpa 888 and if possible, review the numbers of "Seto" that are directly related to the story of our protagonists.