Everyone in the audience lived, for fifteen replica Alexander McQueen shoes
glorious minutes, within Lee’s imagination. I felt truly involved, and I think others did, too, as the spectators’ speechless wonder gave way to shouts of encouragement, audible gasps and passionate applause intended to revive dancers who appeared to have fainted from exhaustion… we willed them to recover and continue the dance. As the music changed — now Billie Holiday, now Portishead — I remember the performers dancing, spinning, raising hell, competing until their “bodies [were] broken….. or their dreams” (to paraphrase the movie). It was equal parts live performance, happening, and fashion show.
“They Shoot Horses Don’t They?” found its way, improbably, into Lee’s insatiable, inquisitive artistry. His interpretations, from this movie and other sources, were beautifully expressed through his living art, his specific vision for how hisCheap Alexander McQueen womens shoes
clothing should move and flow when worn by his heroines: Karen Elson, Kate Moss, Isabella Blow.


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